Canon Power shot G10,
Diana + sometimes...
Digital Pro
NIKON D300s
TOKINA 11-16 mm f/2.8
AF-S Nikkor 35 mm f/1.8G
AF-S Nikkor 50 mm f/1.4G
AF Nikkor 85 mm f/1.8D
AF SIGMA 105 mm f/2.8 MACRO DG
MANFROTTO 190 PROB + 322 RC2
Photoshop CS4
ViewNX
Tell us about yourself
I was intrigued by how humans react to society's images so I studied psychology a bit. Then, I learned how to compose in Interior design. Dropped out of this too to explore shapes in sculpture. After that, I needed more. I wanted to sculpt spaces and create light openings to influence the mood on humans in Architecture. Art always attracted me so naturally, I always was surrounded by Artists, mostly painters.
During a first solo trip in Spain, I finally found my calling in Photography. My curiosity is immense and this medium provides me endless obsessive passion.
My main focus at this time is to get better technically.
Do you remember the "Where's Waldo ?" books ? You can play the same game trough my collection. My copyright is a logo that is never placed at the same location. It is sometimes obvious and sometimes practically invisible. Try and find it if you are bored. (p.s. the logo appeared for the first time on "Hitchcock")
p.s. The first pics are my latest adds. For the rest, I selected my 50 favorites. It's only here on D2 that you can view my real progression. I post every pic I do, good or... "experimentations". Of course those ones won't stay more than a few weeks. ;]
"waiting for grandpa" well we have really imaginative on D2 and for the most part not close minded, so I see it difficult not to get the image, specially with the tittle and looking at it again is perfect, only way to improve it would be a rocking chair and some wood shavings on the floor... but I believe this one is just perfect... the crop is my fav part, enjoy looking at the floor edge of the wall with all it's imperfections... really cozy image.. thank you for sharing it.
Thanks for your kind words regarding Beatrix, Mao. Have been off the site for a while so just scanned your recent images and as usual they are superb. Love your work!
If you want the sharpest image possible on macros you will need to use a tripod, a shutter release cable and the mirror lock-up feature, especially with shooting at a slow shutter speeds. Even an imperceptible move by the camera or the subject will cause blur. Shooting with the lens wide open and a fast speed will reduce this, but then depth of field might not be desirable. So, shooting macro often means accounting for wind conditions, the stability of the ground on which the tripod is placed (when I shoot mushrooms on a mossy forest floor, I have to stand perfectly still so as not to shift the ground in any way) and the depth of field. Consequently, I end up taking more shots of a single macro scene than say a landscape one because of the increased possibility of camera shake or subject movement. Of course there are the exposure compensation possibilities. I shoot using manual focus.... the autofocus doesn't work very well on macros. I also use a bean bag when shooting on the ground-- my tripod does not have some of the fancy options for macro. The bean bag is good because it adjusts easily and is very stable for the camera. Instead of a flash, consider using a reflector (white bristle board or tin foil woks well) or a mag light. I find that with the flash, sometimes the bottom of the scene is not as well lit as the top. Of course an off camera flash would solve this. If you use a flash, consider using a diffuser of some kind... one bought or a tissue or piece of wax paper can do in a jam. Some people use a clear film canister cut to fit over the built-in flash as a diffuser.
Hope this helps.... feel free to ask any other questions...
Regards.
Jim
Mao sorry if I have been to hard today with your images. I know that you like honest opinion.Images are good and reason for that comments are my wish to help you in your wish to be better.
I like them all and you have done an amazing job but this is my favourite I like the space and almost poster like quality of this it is real yet unreal for me and this is what gets to me even down to the blue light on the mike it is a great image an…
Excellent Jim the exposure is perfect for this very picturesque scene.If you have CS3 try going into curves and selecting linear contrast from the drop down menu.It could help to give the image a gentle boost in contrast.Also +10 saturation would he…
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If you want the sharpest image possible on macros you will need to use a tripod, a shutter release cable and the mirror lock-up feature, especially with shooting at a slow shutter speeds. Even an imperceptible move by the camera or the subject will cause blur. Shooting with the lens wide open and a fast speed will reduce this, but then depth of field might not be desirable. So, shooting macro often means accounting for wind conditions, the stability of the ground on which the tripod is placed (when I shoot mushrooms on a mossy forest floor, I have to stand perfectly still so as not to shift the ground in any way) and the depth of field. Consequently, I end up taking more shots of a single macro scene than say a landscape one because of the increased possibility of camera shake or subject movement. Of course there are the exposure compensation possibilities. I shoot using manual focus.... the autofocus doesn't work very well on macros. I also use a bean bag when shooting on the ground-- my tripod does not have some of the fancy options for macro. The bean bag is good because it adjusts easily and is very stable for the camera. Instead of a flash, consider using a reflector (white bristle board or tin foil woks well) or a mag light. I find that with the flash, sometimes the bottom of the scene is not as well lit as the top. Of course an off camera flash would solve this. If you use a flash, consider using a diffuser of some kind... one bought or a tissue or piece of wax paper can do in a jam. Some people use a clear film canister cut to fit over the built-in flash as a diffuser.
Hope this helps.... feel free to ask any other questions...
Regards.
Jim
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